“Swag” Telugu Movie Review

Friday, October 4, 2024

Movie Name : Swag

Release Date : October 04, 2024

Cast : Sree Vishnu, Ritu Varma, Meera Jasmine, Daksha Nagarkar, Ravi Babu, Sunil, Bodupalli Srinu etc.

Director :Hasith Goli

Music Director : Vivek Sagar

Andhrawatch.com Rating : 2.25/5

Story:

The story revolves around SI Bhavabhuti (Sree Vishnu) and his wife Revathi (Meera Jasmine). When Revathi becomes pregnant, she leaves their home. Her departure causes Bhavabhuti to transform into a rough, misogynistic man. Now, at retirement age, Bhavabhuti receives a letter one day. The letter claims that he is the heir to the Swaganika lineage and that if he visits the ancestral house, he will discover a hidden treasure. Intrigued, Bhavabhuti sets out for the ancestral house.

Upon reaching the house, Bhavabhuti meets Yayati (also played by Sree Vishnu), the last surviving heir of the family, who looks exactly like him. However, their family name and father’s name don’t match. Bhavabhuti becomes determined to prove that he is indeed part of the Swaganika lineage. Meanwhile, another character, Sing (also Sree Vishnu), faces humiliation because he doesn’t know who his father is. Sing, too, receives a letter. All these letters were sent by Vibhuti (also played by Sree Vishnu).

Adding to the confusion, an ancient artifact related to the Swaganika lineage is found in the house of Anubhuti (Ritu Varma). This discovery throws everything into chaos—who are the real heirs?

The story then shifts to focus on King Bhavabhuti (Sree Vishnu) facing off against Queen Rukmini (Ritu Varma) and how he defends the patriarchal system. What is the curse Bhavabhuti placed? Who is Vibhuti? Who are the rightful heirs to the treasure? And what happens in the end? These questions form the crux of the story.

Review:

Sree Vishnu excels in five distinct roles, delivering a remarkable performance in each one. His ability to transform the body language of every character is skillfully presented, highlighting his range as an actor. Among all, his portrayal of Vibhuti is the most memorable, especially during the emotional climax, where his acting is so powerful that it moves the audience to tears.

Ritu Varma, on the other hand, is given a substantial role that adds significant depth to the film. She captures the complexities of her character beautifully, contributing to the story with her strong and impactful performance.

Meera Jasmine shines in a well-written role in Swag, delivering a standout performance. Daksha Nagarkar is effective in her part, and Sunil plays his role convincingly. Goparaju Ramana impresses with his strong portrayal in a crucial role. The narrative of Swag is captivating, with several unexpected twists placed at key moments, keeping the audience engaged.

One of the film’s greatest strengths is its production design. The royal era is beautifully depicted, transporting the audience into a completely different world. The use of rich visual elements and the way each character is introduced in the first half are handled impressively, adding to the film’s overall appeal.

Swag offers a unique concept, but the narration is quite confusing. With numerous characters needing introduction, director Hasith Goli takes considerable time to establish the plot. As a result, the story lacks clarity, leaving the audience with several unanswered questions by the time the interval arrives.

The film contains several logical inconsistencies. The characters portrayed by Meera Jasmine and Daksha Nagarkar are depicted in a historical context, yet their roles and activities during that time are not adequately explained, creating ambiguity in their character arcs. Furthermore, the film’s pacing is rather sluggish, which diminishes the audience’s overall engagement.

The film’s runtime poses a challenge as well. It often feels unnecessary to complicate the narrative for the audience. A compelling story could have been presented with a straightforward approach and an engaging screenplay; however, that doesn’t occur, as the excitement and momentum are lacking during the midsection of the film.

Vivek Sagar’s music composition is fairly average, but the background score is commendable and enhances the film effectively. The set design, props, and dialogues are all noteworthy, contributing positively to the overall production quality.

As for director Hasith Goli, he has shown strength as a writer, crafting a story for Swag that is modern and offers plenty of opportunities for masala and drama. However, he has failed to make the most of this potential, primarily due to the narrative style he chose. A simpler and more entertaining approach could have greatly enhanced the film’s overall quality.

In summary, Swag boasts a compelling story and impressive performances, yet the lackluster screenplay makes it difficult for audiences to fully comprehend the main idea. It’s definitely worth a watch for Sree Vishnu’s genuine portrayal, but it’s best to temper your expectations.

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