Movie Name : Mithra Mandali
Release Date : Oct 16, 2025
Cast : Priyadarshi, Niharika NM, Rag Mayur, Vishnu Oi, Prasad Behara, VTV Ganesh etc.
Director : Vijayendar S
Music Director : RR Dhruvan
Andhrawatch.com Rating : 2.25/5
Story:
Narayana (VTV Ganesh), a man with strong caste obsession and determined to win the local M.L.A. seat. Famed for his strong-headedness, Narayana utterly rejects inter-caste marriages with no scope for compromise—neither for love nor family.
The narrative takes an unexpected twist when his daughter Swecha (Niharika NM) opposes Narayana’s strict regulations and elopes from home. Narayana is worried about the his image in public, so he and S.I. Sagar (Vennela Kishore) arrange a kidnapping for his daughter. This adds suspense and intrigue to the ongoing situation.
As the story develops, it becomes clear that an important character, Satya, identifies that four close friends—Chaitanya (Priyadarshi), Abhi (Rag Mayur), Satvik (Vishnu O.I), and Rajeev (Prasad)—are connected to Swecha’s disappearance in some way. This scenario raises several issues. Why did Swecha leave? Who was responsible for her leaving? And what difficulties did her friends face because of Swecha’s actions? How did Narayana respond to this rebellion? And what is the true connection between these four friends and Swecha? The answers unfold in the rest of the story.
Review:
Narayana (VTV Ganesh), obsessed with caste, and the police officer track led by Vennela Kishore—interwoven with a lively group of friends. The friendship sequences stand out with playful mischief, innocence, and humor, with Priyadarshi’s comic timing stealing the show. Vishnu O.I, Rag Mayur, and Prasad Behera also deliver solid performances that keep the audience engaged.
VTV Ganesh has a central role, albeit his caste-based character reminds us of his earlier film outings. However, it is his comedy that gives charm and lightness to these events. Niharika, N.M. is impressive as the heroine, and supporting characters Vennela Kishore and Satya are comfortable within their roles.
On the other hand, the narrative fails to hold one’s attention. Repeating patterns, contrived emotional scenes, and unconnected plot points, especially in the latter half, mar the pace of the movie. The friendship track and the main storylines occasionally verge on melodrama, with too many characters and routine comedy weakening key scenes.
From a technical standpoint, the film fares better. Cinematography is visually appealing, editing is adequate, and producers Kalyan Manthina, Bhanu Pratapa, and Dr. Vijender Reddy Teegala ensure solid production quality. R.R. Dhruvan’s music is average.
Overall While performances and fun sequences entertain, the film suffers from repetitive storytelling and lackluster emotional depth, making it an average watch for audiences seeking a fully engaging experience.