Movie Name : Mirai
Release Date : Sep 12, 2025
Cast : Teja Sajja, Manoj Manchu, Ritika Nayak, Shriya Saran, Jayaram, Jagapathi Babu, etc.
Director : Karthik Gattamneni
Music Director : Gowra Hari
Andhrawatch.com Rating : 3.25/5
Story:
The movie traces the journey of nine old books, each fiercely guarded by powerful individuals who act as protectors. Mahabir Lama (Manchu Manoj), a fierce fighter, starts a deadly quest to get these holy books. But the ninth book, said to contain the key to immortality, turns out to be the toughest of them all.
Protecting this old book is Ambica (Shriya Saran), a resolute mother who is able to visualize the danger Mahabir Lama may cause. In an attempt to protect her son, Vedha (Teja Sajja) from danger, Ambika chooses to give him away immediately after he is born. Growing up in the big cities of Varanasi, Kolkata, and Hyderabad, Vedha knows nothing about his real origins.
The plot goes in a thrilling as Vedha discovers his secret identity—he is Ambika’s son. As he grows up, he realizes the seriousness of his task and becomes a fierce fighter. The movie goes with a number of surprising turns of events, as Vedha has to engage in a final battle with Mahabir Lama. The final battle between the two is a matter of survival, as everything lies at risk.
Can Vedha manage to stall Mahabir Lama? Who is Vibha (Ritika Nayak), and how does she relate to the mystery? What is to be seen in their fierce standoff? This is the crux of the movie’s gripping story.
Review:
Teja Sajja’s acting as the brave protagonist is a strength of the movie. His journey, full of tests and development, is depicted clearly and makes him endearing to the viewers. Sajja makes the right mix of enthralling glances and emotional depth, especially doing a great job in high-octane action sequences. His transformation into a powerful, determined figure adds to the impact of the movie overall.
Manchu Manoj impresses in his demanding character, giving the narrative more depth. His interpretation of a character struggling between action and inner turmoil is well-executed. Especially during the action scene, a standout new and innovative scene in Indian films. Manoj’s dedication to the role, even during troubling scenes, tests his versatility as an actor.
Shriya Saran is at her best as Ambika and infuses the character with strength and vulnerability. Jayaram, Jagapathi Babu, and Ritika Nayak are some of the other performances worth mentioning, each of them delivering their parts with perfection and lending invaluable depth to the story. Getup Srinu comes with light moments and his comic relief, providing an ideal contrast to the otherwise gripping story.
Although the movie has a good core idea, its story could have been made tighter to have a sustained pace. With songs like “Vibe Undi” that set the mood, sometimes the plot falters to engage the audience completely. The movie even at times comes across like a dubbed movie, particularly during the first half, when the acting of some of the Telugu artists like Teja and Getup Srinu is exceptional, but others carry an air of foreignness, impacting the authenticity of the movie. One of the high points is the Saptapadi Garuda scenes, which take the visual effects to an entirely new extent, leaving a deep impact on the big screen.
The adventure genre of the movie reminds one of comparable film themes, and some of the scenes seem predictable. Expectations were high for less predictable twists and innovations, which, at times, were less in focus. The climax also falls a bit short—it could have been more compelling to provide a greater emotional payoff.
On the positive side, the movie shines in its production values and demonstrates that one can make a quality movie with a humble budget. The action scenes and visual effects are way better than what was expected, considering the size of the movie. The background score of Gowra Hari is a major contributing factor in making the pivotal moments powerful, lending them the emotional justice they need. The cinematography of Ghattamaneni is another highlight with scintillating visuals that add to the richness of storytelling, while Sreekar Prasad ‘s editing keeps the rhythm in harmony.
Director Karthik Ghattamaneni’s vision is at the heart of this film, which offers a larger-than-life narrative set against a visually stunning backdrop. His dedication to creating an immersive experience is evident, especially given the film’s grand scale. Blending devotional themes with powerful visual effects, Ghattamaneni brings forth epic moments that keep audiences engaged.
Overall the movie is a visually stunning affair with great performances, especially by Teja Sajja and Manchu Manoj. As grand as the scale and action scenes are, the storytelling could have been more engrossing. With some places where improvement is needed, it is otherwise a good adventure drama that presents beautiful visuals and an entertaining cinematic experience.