Movie Name : Baak
Release Date : May 03, 2024
Cast : Sundar. C, Tamannaah Bhatia, Raashii Khanna, Kovai Sarala, Vennela Kishore, Sreenivas Reddy etc.
Director : Sundar. C
Music Director :Hip Hop Tamizha
Andhrawatch.com Rating : 2.5/5
Story:
Sundar C plays the role of Shiva Shankar, a dedicated lawyer. His world is turned upside down when he discovers that his sister, Shivani (Tamannaah), has supposedly committed suicide. Adding to the tragedy, Shivani’s husband dies under mysterious circumstances in a forest. Refusing to accept his sister’s death as a mere suicide, Shiva Shankar embarks on a quest to unravel the truth behind both tragedies. The film unfolds as Shiva Shankar navigates through the complexities of the investigation, determined to find justice for his sister and her husband.
Review :
Baak truly stands out for its technical brilliance. The team has paid meticulous attention to detail, ensuring top-notch visuals, captivating background scores, and impressive production values.
The horror effects are meticulously crafted, complemented by Hip Hop Tamizha’s impactful background score, which heightens the tension during scary scenes. The movie picks up pace before the interval, as a series of captivating events unfold, leaving the audience eager to uncover what happens next.
With the second half expertly tying up loose ends. Sundar C shines in his role as the protagonist, commanding the screen with conviction. Though brief, Tamannaah Bhatia leaves a lasting impression, and Raashii Khanna delivers a commendable performance in her role.
One recurring problem is the inclusion of unnecessary comedic subplots. While targeting a wide audience, the slapstick humor frequently feels forced and detracts from the overall viewing experience, causing more annoyance than enjoyment. These comedic moments seem out of sync with the rest of the film and diminish its impact significantly. Aside from the climax, the antics of Vennela Kishore and Sreenivas Reddy fail to add much value to the movie.
Following the major revelation, the storyline becomes overly predictable. While the makers attempted to infuse emotional depth into the film, this endeavor resulted in a slowdown, particularly in the second half. Additionally, the inclusion of a song towards the end feels unnecessary and could have been omitted. A more judicious editing approach, trimming a few scenes, could have helped maintain the pacing of the narrative.
Baak adheres to the familiar plot found in other entries of the Aranmanai series. Although its horror elements are skillfully executed, the abundance of exaggerated comedy scenes diminishes its effectiveness. These comedic moments interrupt the film’s rhythm and contribute little to the storyline. The latter half suffers from sluggish pacing, and the climax leaves much to be desired. Despite its technical polish, Baak’s predictable narrative and superfluous scenes render it a disappointing viewing experience.